Grady Gammage

I grew up in a small town. Its name was Phoenix, and even though it had 439,170 people by the time I was four years old, in 1960, it still seemed like a place I could wrap my arms around and carry with me, just like the little towns in the movies. We lived near Cypress Street and Third Avenue, about a mile from the border of downtown. The houses faced the street, many had porches, the lawns were lush, the shade inviting.

My friends and I stashed fallen oranges and rolled them out into the rush-hour traffic on Third and Fifth — back then, before the Willo Soviet tried to wall off this neighborhood, these streets had three lanes each and carried substantial traffic twice a day, people going to and from work downtown. The oranges were also useful in friendly alley fights; more serious conflict escalated from dirt clods to rocks. Oh, we also ate them, because everyone had citrus trees in their yards and it was a quick drive out to the groves, where boxes of oranges could be purchased at roadside stands surrounded by the lavish bounty of the Salt River Valley. Some days we lay under the trees at Paperboys' Island, a pocket park at Third and Holly, and just stared into the cobalt sky, dreaming the dreams of young boys.

By the time I was eight, I was mobile and free, within limits. Specifically, I could ride my bike from Thomas to Roosevelt and Third Street to Fifteenth Avenue. It was an amazing landscape for a child. The library, art museum and Heard Museum were there. Soda fountains proliferated at drug stores, from the Rexall on Roosevelt and Third Avenue to Ryan-Evans at Seventh and McDowell to shops on Central. Every gas station had a drinking fountain with cold water, an essential for young desert rats. The firefighters at the old Station 4 on First Street and Moreland, as well as the Encanto/Seventh Ave. station indulged us. We bugged the people at Channel 12 and Channel 5 (Wallace & Ladmo's home!) for old reels of commercials — the apex of our ubiquitous trash picking. Encanto Park was a favorite hangout; it was where I decided I wasn't cut out to be a fisherman, but that didn't stop me from endless fishing journeys to the lagoons. The lovely moderne Palms Theater at Central and Virginia offered movies if we didn't want to hitch a ride downtown.

This part of the city was dense then with businesses. This was long before entire blocks were bulldozed or turned into dead space by parking garages. The buildings on the northeast and southeast corners of Seventh Avenue and McDowell, for example, were chock-full of small businesses. So was today's mostly empty Gold Spot — I got my hair cut there by Otis Kenilworth. Downtown was still the busiest shopping district in the state, followed by Park Central mall — both bracketing our neighborhood. I wasn't as fortunate as someone born a few years younger to sample the old city, but it was still pretty intact in the early and mid-1960s.

The big Valley Bank sign turned atop the art deco tower and other neon signaled downtown. Among the downtown landmarks was the Hotel Westward Ho, with its famed Thunderbird Room, where presidents stayed well into the 1960s. The skyscrapers going up along Central seemed signs of progress, not incoherent planning. I watched so many of them being built. My grandmother and I took the bus to shop downtown or at Park Central. This daughter of the frontier "traded," as she put it, at the small A.J. Bayless store at Central and Moreland. Just west were the shady median parks along Moreland and Portland, two of the few City Beautiful Movement touches Phoenix received. The parkways were lined by lushly landscaped apartment buildings. Every day, we drove downtown at 5 p.m. to pick up my mother at the Greater Arizona Savings Building, where the Interstate Stream Commission had its offices. It was amazing to see the crowds on the streets, just like a big city.