Friday night lights
Joe Gatti's iconic Seven Arts mosaic on the old Coronado High auditorium
Everybody paid attention to the round, white clock on the west wall. The room was big and carried sound. We were suited up and while some sat silently preparing or exercising, others congregated, working off nerves with jokes and stories. Those tales of past exploits were entertaining in themselves, but they often contained important lessons. The jokes let off steam. Individuals handled the stress of these moments differently; a few thrived on it, others tried to set aside their self-doubt. As the hands of the clock moved, the payoff from months and even years of training and preparation would come — or not. What began in the new few minutes, and it would be over so fast, all you had was what you brought tonight. Except…except, those seconds of improvisational magic on which everything might turn.
The reputation of the school was at stake, its deep traditions, its prestige. Everyone was deeply invested in the event that was to come, but many of us had college scholarships at stake, a few even hoped to turn pro. As the time approached the noise in the room grew until Mr. Newcomer made his entrance, his customary clipboard in hand. Silence. In an authoritative baritone, he ticked off a few last notes to a quiet team. Then we all stood and clasped hands — as I recall it was arm-over-arm, so one's right hand held the other's left hand and so on, bringing the circle closer, making the fellowship unbreakable. And we all recited the Lord's Prayer. Our Father, who art in heaven, hallowed be thy name, thy kingdom come, thy will be done… Afterward, one of the assistants opened the door and we filed out, ready.
This was theater at Coronado High School, in what is now "south Scottsdale," in the early- and mid-1970s. While many high schools had a "senior play," we have a theater season that usually consisted of eight major productions, including two musicals (one with faculty), spring repertory and a summer play. The fare was ambitious in its difficulty and scale: Twelfth Night, Fiddler on the Roof, Of Mice and Men, The Night Thoreau Spent in Jail, A Midsummer Night's Dream and West Side Story among them. Under the leadership of Jim Newcomer, the theater program's excellence was always at the college level, often surpassing it. Theater instructor Judie Carroll and Ralph Bradshaw from the fine English department also directed productions. Nor was the theater program unique.



